Pre-visualisation
These are ‘This is How’ pieces that specifically talk about instances where a photographer pre-visualised an image; seeing a resultant capture in their head before it has actually happened (and all about the techniques they used in order to obtain it):
This Is How: ‘Champagne Circus’ by Adam Johnson
In the thirteenth of our regular series of ‘This Is How…’, the brilliant Adam Johnson (who is also one of our Collection One Reportage Award and Reportage Story Award Judges) gives us his thoughts on exactly how he got this striking capture.
This Is How: ‘Floating Flower Girls’ by Catherine Pound
In the twelfth of our regular series of ‘This Is How…’, the fab Catherine Pound gives us her insights as to how she got this beautiful capture.
This Is How: ‘Alternative Perspective’ by Sam Docker
In the tenth of our regular series of ‘This Is How…’, we have the fab Sam Docker giving us his perspective on this alternative perspective shot…! (Sorry, couldn’t resist that). Such a striking image, this, and Sam’s insights as to his thought process and technique is incredibly interesting.
This is How: ‘A Woman Past and Present’ by Marianne Chua
In the third of our regular series of ‘This Is How…’, London-based photographer Marianne Chua tells us her thought process behind this fab observational-capture.
This Is How: ‘A Moment To Breathe’ by Andy Wardle
In the first of our regular series of ‘This Is How…’, Cheshire-based photographer Andy Wardle tells us how he got this atmospheric bridal prep shot.
